2018. Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora. New York: New York University Press.

Peer-Reviewed Articles­­­­

2023. “Not Another Essay on Care Work in Academia!” Theatre History Studies 42 (forthcoming)

2021. “‘It’s for Now, While We’re Together’: Diana Oh’s Queer Feminist of Color Bridgework at the Ancram Opera House.” Frontiers: A Journal of Women Studies 41 (3): 29–55. (2020 print date delayed due to covid pandemic)

2020. “Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria.” Theatre History Studies 39 (1): 185–99.

2017. “Writin’, Breakin’, Beatboxin’: Strategically Performing ‘Women’ in Hip-Hop.” Signs: Journal of Women in Culture and Society 43 (1): 175–200.

2017. “Performing Queer Mamí on Social Media: Gender-Fluid Parenting as a Practice of Decolonisation.” Performance Research, 22 (4): 71–74.

2014. “Critical Intimacies: Hip Hop as Queer Feminist Pedagogy.” Women & Performance: a Journal of Feminist Theory, All Hail the Queenz: A Queer Feminist Recalibration of Hip Hop, 24 (1): 1–7. Co-authored with Shanté P. Smalls.

2014. “Interview with AbbyTC5: A Pioneering ‘HomeGirl’ in Hip Hop Herstory.” Women & Performance: a Journal of Feminist Theory, All Hail the Queenz: A Queer Feminist Recalibration of Hip Hop, 24 (1): 8–14.

2013. “Be About It: Graffiteras Performing Feminist Community.” TDR: the journal of performance studies 57 (3): 88–116.

Invited Book Preface

2021. “Prefacio: Pa’lante con LasTesis (Foreword: Forward con LasTesis).” In Theatre & Feminism, by Kim Solga, translated by Milena Grass Kleiner. Pontificia Universidad Católica de Chile.

Book Chapters

2019. “Yo Soy Boricua Feminista, Pa’que Tu Lo Sepas!: Notes from a DiaspoRican on Performing Outsider Identity,” Latina Outsiders: Remaking Latina Identity, Eds. Grisel Y. Acosta and Roberta Hurtado, Chapter 25. London; New York: Routledge.

2016. “Ways of Being Seen: Gender and the Writing on the Wall.” In Routledge Handbook of Graffiti and Street Art, edited by Jeffrey Ian Ross, 78–91. Routledge International Handbooks. London; New York: Routledge.

2016. “Daring to Be ‘Mujeres Libres, Lindas, Locas’: An Interview with the Ladies Destroying Crew of Nicaragua and Costa Rica.” In La Verdad: An International Dialogue on Hip Hop Latinidades, edited by Melissa Castillo-Garsow, 203–13. Columbus: Ohio State University Press.

2016. “No Somos ‘Mariposas,’ Somos ‘MariPUSSY’: An Interview with Graffiti Art Activist Miss163 Aka Sharon Lee De La Cruz.” In Identity & Anonymity – An Artful Anthology, edited by Jonathan Talbot, Leslie Fandrich, and Steven M. Specht, 112–19. Mizzentop Publishing.

Book Reviews

2020. “Ricanness: Enduring Time in Anticolonial Performance by Sandra Ruiz (Review).” TDR: the journal of performance studies 64 (4): 173–75.

2013. “Plays from the Boom Box Galaxy: Theater from the Hip-Hop Generation by Kim Euell and Robert Alexander,” and “Say Word!: Voices from Hip Hop Theater by Daniel Banks,” TDR: the journal of performance studies (T217).

2012. “Returning to What We Know: Nicole Fleetwood’s Troubling Vision: Performance, Visuality, and Blackness,” Women & Performance: a Journal of Feminist Theory (Volume 22:2-3).

Invited Exhibition Catalogues

2023. “A Wall of Their Own: How Graffiti Grrlz Style Their Place in Hip Hop.” The Culture: Hip Hop and Contemporary Art in the 21st Century, curated by Asma Naeem and Gamynne Guillotte, The Baltimore Museum of Art. (forthcoming)

2013. “Wipe It Off and I Will Paint Again: An Interview with Suzeeinthecity.” Muslima: Muslim Women’s Art & Voice, curated by Samina Ali, International Museum of Women Exhibition.