Just thought you outta know about Miss163’s latest project, funded by the DOT’s Urban Arts Program. You can peep it on Hunts Point ave, passing the Bruckner Expressway.
I’ve been working with the image of Ruby Bridges because I feel that communities of color need to analyze and take note of how she was used as a community organizing tool. She was a young black girl, who knew nothing about this grand plot to desegregate the South; she was a tool for this amazing life and nation changing event. She could not be a “he” because a black man is not “easy” on the eye. By that I mean, a girl had to be the one to desegregate the South because it had to be as smooth of a transition as possible and women (as objects of desire) are the perfect choice. If communities of color learn about the civil rights movement from a feminist perspective, I think that we would have stronger women of color but most importantly stronger communities. It is important to understand dynamics and learn from them. I don’t think it is a coincidence that we don’t learn our history in that matter, I believe the way we are taught empowerment, organizing, and the beauty (or lack there of) is very intentional.
I wanted to place Ruby in Hunts Point because I want her in a place where they the community could celebrate their ability to keep walking, surviving, and thriving…
even when the odds are not on their favor.
If you’re in NYC tonight, swing through the opening at bOb!!
bOb Bar is pleased to present Wild Thing, an exhibition of work by graffiti artist MS163. Please join us for an opening reception on Wednesday, July 3rd to meet the artist and celebrate her work.
In MS163’s series Wild Thing, the fictional yet familiar character “Max” from Where the Wild Things Are (1963) performs the role of the iconic Ruby Bridges—a crucial player in the civil rights movement and desegregation in 1960s New Orleans. On the one hand, MS163 celebrates the centrality of women of color in national sociopolitical movements; on the other, she begs the spectator to consider how women of color are used by these same movements. Wild Thing asks: how was Ruby, at 6 years old, deployed as a symbol of femininity, fragility, and respectability for the betterment of the African American community?
Sharon Lee De La Cruz is a prolific artist and activist in New York City. She earned a BFA from The Cooper Union, is a Fulbright scholar, and is now an MA candidate in NYU’s ITP program. She has shown in numerous venues throughout the New York metropolitan area, notably during Armory Week 2012 at the Bronx River Arts Center. She has been awarded residencies at Wonder Women and 365 Days of Print. Additionally, De La Cruz has designed a limited edition perfume bottle for Calvin Klein’s CK One Shock Street Edition For Her.
http://www.unoseistres.com | #miss163atbOb | RSVP: https://www.facebook.com/events/528173020553056/
When I went to bed last night I had no idea I’d be spending 8 hours in the pouring rain watching some of NYC’s illest graffiti women kill a wall in the Bronx. Granted, I knew they were painting since I helped organize it…but the non-stop-just-enough-to-soak-your-feet-throughout-the-day-misty sprinkly stuff—-that part was a surprise. And the wall is not finished because of it, but whatever. This is [legal] graffiti. It can be an extreme sport, haha. So weather be damned, PIXIE, CHOCK, ABBY, NEKS, QUEEN ANDREA, EROTICA, AND MS163 painted.
I took a LOT of photos. You can see some of them here.